Press and Writings
	PRESS and PUBLICATIONS
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	Selected publications pertaining to training
	Callboard Magazine, ed. Karen McKevitt, published by Theatre Bay Area, SF
		The Actor: Dynamic Body; Expressive Breath August 2002 The Actor's Vocal Score January 2002
	Newsletter: Voice and Speech Trainers Association (VASTA), ed. Paul Meier
			Images in Vocal Training: Scientific and Mind-Body Contributions Spring 2002
	Dramatics Magazine, ed. Don Corathers, published by Educational Theatre Assoc.
			Voice Magic March 2002
	Montclarion Newspaper, pub. Contra Costa Times
		Feature Acting trainer places importance on voice April 6, 2001
	Open Exchange Magazine, ed. Bart Brodsky, Berkeley, bi-monthly publication
		The Human Voice: The Intersection of Business, Performing and Health July-September 2001 issue Actors’ Training Project Challenges Talent May-June 2001 issue Thriving in the Inter-Disciplines January-February 2001 issue
	Scene4 Magazine, pub. Aviar-DKA Ltd.
		Feature: Actors’ Training Project: a Recital April 2000
	Voice and Speech Review, ed. Rocco dal Vera, Applause Books, New York 2001
		On The Focus Point: The Next Generation
	Voice and Speech Exercise Book, ed. Janet Rodgers, Applause Books, New York 2001
		Pitch-Stretching Exercise
	RENAUD: ONLINE ONGOING COLUMN
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	Considering contemporary performing arts training from a cutting-edge, interdisciplinary perspective
	Commentary and Collaborations
		Changing Values: The Who & How of Voice Training October 2001 An April Recital: The Languages of Spring April/May 2001 Making Actors: A Paean to the Acting Journal March 2001 Open Correspondence with Chandradasan: Thiyyam's "Uttar-Priyadarshi" February 2001 George Stillman House: Towards a Profession Worthy of Serious Consideration October 2000 Among the Mangos: Thoughts in Memoriam September 2000 Talent Under Scrutiny: The Focus Point August 2000 Actors’ Training Project: A Recital July 2000 Towards a Philosophy of the Breath: Selected Journal Notes June 2000 A Life, Not a Letter: For Sir John Gielgud May 2000 Paying Attention: The Tension in Intention May 2000 Kandinsky: Dramatist, Dramaturg and Demiurge of the Theatre April 2000
	REVIEWS by RENAUD
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	Selected independent reviews, 25 words or more
		Merce Cunningham Dance Company (Zellerbach Hall, Berkeley) May 2001 University Dance Theater, dir. Marni Wood ( Zellerbach Playhouse, Berkeley) April 2001 Fanny: A Family Musical, dir. Joy Carlin (Julia Morgan Theatre, Berkeley) October 2000 Waiting for Godot, Gate Theatre of Dublin, (Zellerbach Playhouse, Berkeley) October 2000
	SELECTED CORRESPONDENCE and LETTERS
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	Growing online archive of letters of interest pertaining to the arts
		Jack Nicholson, letter sent, April 1999 John Gielgud, letter and response, December 1997 Marcel Marceau, letter received, May 1984