Press and Writings

 

 

 

PRESS and PUBLICATIONS

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Selected publications pertaining to training

 

 

 

Callboard Magazine, ed. Karen McKevitt,  published by Theatre Bay Area, SF

 

 

 

 

The Actor: Dynamic Body; Expressive Breath

August 2002

 

The Actor's Vocal Score

January 2002

 

 

Newsletter: Voice and Speech Trainers Association (VASTA), ed. Paul Meier

 

 

 

 

Images in Vocal Training: Scientific and Mind-Body Contributions

Spring 2002

 

 

Dramatics Magazine, ed. Don Corathers,  published by Educational Theatre Assoc.

 

 

 

 

Voice Magic

March 2002

 

 

Montclarion Newspaper, pub. Contra Costa Times

 

         

 

 

Feature

Acting trainer places importance on voice

April 6, 2001

 

 

Open Exchange Magazine, ed. Bart Brodsky, Berkeley, bi-monthly publication

 

 

 

 

The Human Voice: The Intersection of Business, Performing and Health

July-September 2001 issue

Actors’ Training Project Challenges Talent

May-June 2001 issue

Thriving in the Inter-Disciplines

January-February 2001 issue

 

 

Scene4 Magazine, pub. Aviar-DKA Ltd.

 

 

 

Feature:

Actors’ Training Project: a Recital

April 2000

 

 

Voice and Speech Review, ed. Rocco dal Vera, Applause Books, New York 2001

 

 

 

On The Focus Point: The Next Generation

 

 

 

 

Voice and Speech Exercise Book, ed. Janet Rodgers, Applause Books, New York 2001

 

 

 

Pitch-Stretching Exercise

 

 

 

 

RENAUD: ONLINE ONGOING COLUMN

 

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Considering contemporary performing arts training from a cutting-edge, interdisciplinary perspective

 

 

 

 

Commentary and Collaborations

 

 

 

Changing Values: The Who & How of Voice Training

October 2001

 

An April Recital: The Languages of Spring

April/May 2001


Making Actors: A Paean to the Acting Journal

March 2001


Open Correspondence with Chandradasan: Thiyyam's "Uttar-Priyadarshi"

February 2001


George Stillman House: Towards a Profession Worthy of Serious Consideration

October 2000


Among the Mangos: Thoughts in Memoriam

September 2000


Talent Under Scrutiny: The Focus Point

August 2000


Actors’ Training Project: A Recital

July 2000


Towards a Philosophy of the Breath: Selected Journal Notes

June 2000


A Life, Not a Letter: For Sir John Gielgud

May 2000


Paying Attention: The Tension in Intention

May 2000


Kandinsky: Dramatist, Dramaturg and Demiurge of the Theatre

April 2000

 

 

 

 

REVIEWS by RENAUD

 

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Selected independent reviews, 25 words or more

 

Merce Cunningham Dance Company (Zellerbach Hall, Berkeley)

May 2001

University Dance Theater, dir. Marni Wood ( Zellerbach Playhouse, Berkeley)

April 2001

Fanny: A Family Musical, dir. Joy Carlin (Julia Morgan Theatre, Berkeley)

October 2000

Waiting for Godot, Gate Theatre of Dublin, (Zellerbach Playhouse, Berkeley) October 2000

 

 

 

SELECTED CORRESPONDENCE and LETTERS

 

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Growing online archive of letters of interest pertaining to the arts

 

 

 

 

Jack Nicholson, letter sent,

April 1999

John Gielgud, letter and response,

December 1997

Marcel Marceau, letter received,

May 1984